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Below you can see the connecting cover variant for Void Rivals 4 which is also being labelled as a spoiler. It is by Karen S Darboe and features Shockwave. This comic, and cover, should be available in comic stores today.

Void Rivals #4 and other Void Rivals comics are available in the Seibertron.com store: https://www.ebay.com/sch/i.html?_dkr=1& ... 29&_sop=10

You'll let us know what you think of this comic series so far.

Below is a press release from Skybound Comincs:

The Autobots are rolling out in a big way this month, with the arrival of Daniel Warren Johnson’s eagerly awaited Transformers #1. The issue’s first printing has already sold out from the distributor. But no worries — a second printing will arrive in comic shops on November 1st, with a selection of very cool variant covers. Check ’em out below, after these official details on the book…



Today Skybound, in collaboration with leading toy and game company Hasbro, announced that TRANSFORMERS #1, the debut issue of writer/artist Daniel Warren Johnson’s massively anticipated series, has sold out at the distributor level days before its release at comic book shops. The second launch in the all-new Energon Universe, TRANSFORMERS #1 will return with five commemorative second printing covers, available in comic book shops beginning November 1, 2023.

TRANSFORMERS #1 begins a brand-new era for the iconic TRANSFORMERS franchise from Daniel Warren Johnson (Extremity, Do a Powerbomb, DC’s Wonder Woman: Dead Earth) and colorist Mike Spicer (Stillwater, Murder Falcon). Optimus Prime was supposed to have led the Autobots to victory. Instead, the fate of Cybertron is unknown, and his allies have crash-landed far from home, alongside their enemies—the Decepticons. As these titanic forces renew their war on Earth, one thing is immediately clear: the planet will never be the same. New alliances are struck. Battle lines are redrawn. Humanity’s only hope for survival is Optimus Prime and the Autobots.

The issue will return with five brand-new second printing variant covers:

Covers A & B, drawn by Jason Howard, spotlight the iconic Optimus Prime and Starscream respectively.
Covers C & D, drawn by Lewis LaRosa, respectively feature Johnson’s Autobot and Decepticon teams.
A special spoiler Cover E, drawn by Greg Tocchini.

This review is spoiler free aside from the mention of the presence or some characters or lack of.

I keep thinking of that big bold line from the original G2 comic with “this is not your father’s Autobots” and how the strategy for franchises has changed since the Poochie filled era of the 90s. The recent era of deconstructing heroes is now past as well and instead what people want is nostalgia, like a reboot to G1. BUT, while nostalgia can seem like an easy sell, it must be done right, which is very tricky. There must be familiarity but it can't just be a retread.

After having read the first issue, I can confidently say that writer/artist Daniel Warren Johnson gives us a G1 reboot in glorious loving fashion. While it can easily be seen as a reboot to both the G1 show and the G1 comic, it is also a new story, and made accessible to all types of Transformers fans. Fans of the original G1 comics are bound to get a kick out of Johnson’s art since it is very reminiscent of Geoff Senior at times. There is a great panel of Ratchet getting an action scene which reminds me of how Geoff Senior would juxtapose a dynamic and fluid scene with such simple shapes making up blocky and angular characters. We get that same contrast here in Johnson’s art. The bright colours from Mike Spicer are the icing on the cake, complementing the art perfectly for a classic feel.



The story itself is very familiar, as intended for the opening of a new saga reinventing G1. But within the first issue, Johnson makes it clear that it is not a simple retread of G1, with a significant character death. This, along with the mysterious lack of a particular villain, sets the rest of the comic in uncharted waters. The familiarity now rests simply with the characters. This is the opposite of deconstructing characters and it reminds me instead of seeing Peter B Parker in the first Spider-verse movie, where we have characters in a new story and new continuity, but written in a way that you can instantly recognize them in a classic portrayal. While there have been a lot of different versions of Optimus Prime, Jetfire and Starscream throughout the brand’s 40 years, consistent traits have lingered throughout, creating specific personas we attribute them with to the point where we can tell when a character isn’t acting as he should (or as we think they should). And in this comic, these characters feel like the ones I know and love. Optimus is as heroic as we all know him to be, Starscream is as malicious as you’d expect him to be and Jetfire battles with the familiar internal conflict.



One last point I want to address is a change to the chronology by Johnson that I find very significant for the brand. He reduces the time for both the war and the main bots’ slumber from millions to hundreds of years. It’s just a change to the dialogue, with no other repercussions, but that’s all I needed. Interactions make more sense now, I can better imagine the length of the war, and there being little change from when they crashed, if that is revealed to be the case, will make more sense. But this is just a personal nitpick I had with storylines in the past and Sci Fi in general (paging Doctor Who), so I was glad to see it addressed here.

Overall, I recommend this issue to any Transformers fan who wants new G1 content in their life. It is a really meaty issue too, leaving you both satisfied and wanting more. Plus the humans present are not annoying, nor remove any of the spotlight from the bots (if ever there was any concern).

4.5 out of 5 stars



You can pick up this comic today at your local comic shop or grab it at our toy and comic store (along with thousands of other products) at shop.seibertron.com. We also have an exclusive cover for Transformers #1.

We had the pleasure to talk to the writer and artist of the new Transformers series from Skybound, Daniel Warren Johnson, to get to know more about what to expect in the coming months along with an explanation for the big spoiler moment. Below is a summary of what was discussed.

Firstly, it was interesting to see that while Johnson grew up with the Transformers brand and was heavily influence by Geoff Senior for his art style, he has been removed from the modern Transformers content and discussion. So don't expect new characters to show up, even those which have retroactively become part of "G1" fiction, like Drift, Barricade or Windblade. The stories will instead have characters he is ore familiar with, though there may certainly be some G1 deepcuts.
The first issue had a passing remark regarding Megatron's absence and Johnson was not going to tell us more about that. BUT he did explain to us why he picked Bumblebee as the character to bite the dust in the first issue. At a basic level, the scene was made to establish to both new readers and the human characters in the story who were the good guys and the bad guys and how ruthless the bad guys are. Plus, since this comic is meant to be as accessible as possible, Johnson wanted to have well known characters, including the one who dies. This had nothing to do with Bumblebee's overexposure in the past 15 years, though it is interesting to note that Johnson never had a great affinity to Bumblebee growing up.

While the book has a very familiar premise for anyone who grew up in the G1 era, the book is meant to be accessible to all and Johnson asks us to leave everything we know at the door. The story he will be telling is fresh and new. It will be written as a series of arcs, with no end planned at the moment. At the same time though, Johnson is adamant to make each issue feel satisfying in its own right, as we saw with the first issue, with a full character arc for Jetfire. This is something extremely important to him.

A change we felt was significant was the talk of time. In most Transformers fiction, eras are measured in "millions of years" be it the Cybertronian war or the time between the Arc crashing and the bots awakening. Johnson changed that to "hundreds of years" in the dialogue since it felt more logical, but the impact story wise is minimal. It wasn't that big a decision for him and Hasbro had no notes on it. Speaking of Hasbro's involvement, they did give him feedback about the way he draws Optimus' hands. While they would want them to look less human, Johnson is sticking to the Geoff Senior school of robot hands, which are simply human hands with some rings drawn on the fingers. It is also less taxing for him, since he does have the double duty of being the writer and artist.

Speaking of that double duty, it gives an added layer to what we see in the comic and which characters appear. For instance, the cassette Soundwave chooses to deploy is Ravage. Johnson, as a writer, wanted to include this character that he loves and Johnson as an artist really wanted him in the story because it adds a different kind of element to draw. Him being an animal makes him fun to draw and adds contrast to the more blocky shapes of the other bots.

Those were the main parts of the interview, if you want to watch the full interview, you can do so below. But please be aware of some issues with framerate and the interviewer going on some random rants/tangents.

blackeyedprime wrote:So time wise...they just killed G1 (beast wars) and UK comics dinobots. Bold and an easy pass XD

It's a whole new world, anything is possible. Only 1 character is confirmed dead so far

ScottyP wrote:I thought it was average. Plenty of good stuff, plenty of stuff that wasn't for me.

Really liked the war not being ancient/on an insane timescale, felt the balance of human drama to robot stuff was done well and some of the small nods like Prime's trailer having a real purpose were neato.

The art is not to my taste overall, but the only part that seemed actually bad to me were the attempts at using Geoff Senior-style action. That only works for Senior because his entire style is like that, it's really awkward and jarring here. The tone also gets too edgelord for my liking by the end, but I think a lot of people will like that and not view it as a negative point.

I get all your points (except for the edgelord stuff, I didn't feel that), but I think the wholesomeness and accomplishment of a G1 reboot made me look past them. I don't really care that it's a G1 reboot, but I like that it is done well. Some fans wanted that and I am happy for them. I hated the IDW 2.0 stuff, especially in terms of pacing, so by comparison this issue felt like a great read.

ScottyP wrote:

william-james88 wrote:I get all your points (except for the edgelord stuff, I didn't feel that)

Gonna keep it vague since I think this will show in the news story view comments where spoiler tags don't work - what I'm mostly referring to is the final panel of the issue. Made me roll my eyes. In a vacuum it doesn't bother me but as it is, it felt like the definition of a first issue trying way too hard to be serious/grim/important. Move that scene to a later point in the story, heck not even much later, and I think it has more impact.

Ah right, I get it now. While I felt it was in line with the way the character was portrayed through the comic, I won't disagree with any of that.