Variant Covers Revealed for IDW Transformers: Lost Light #12

Cover B looks awesome. I am guessing that would be Mirage covered in energon 'blood'.

(I need to catch up on my Lost Light, have had a lot of stuff going on lately. Hopefully later in the week I can sneak off and grab them.)

D-Maximus_Prime wrote:As a small side note to end my post, I don't know why, but the political commentary from Roberts this issue made me twitch ever so slightly.

Honestly likewise. I don't disagree with it and have appreciated it before, but the direct quoting of both "fake news" and "strong and stable" was a little too on the nose for my taste, especially as whenever they're used by anyone but Trump/May now it's generally as a joke. Then again as the review says, perhaps in the current climate throwing subtlety to the wind is somewhat appropriate...

Va'al wrote:Are Getaway and Atomizer really That Good at manipulation (verbal, mental, any other way)
...
Also, you make me raise a point I wanted to mention: Atomizer.
Atomizer is a dirtbag. What is his goal. Why is he even.

Atomiser? Nah, but Getaway? Absolutely. The opening scene (featured in the issues preview) makes me feel legit a bit uncomfortable because of how spot on a depiction Getaway is of genuine real-life manipulative people I've know.
As far as what Atomisers role is... we've known he's been unhappy with the captaincy since Dark Cybertron, but beyond that he just seems like a stirrer, I guess? Even from issue 1 Magnus warned not to trust him with a crossbow. Perhaps he's just jealous of rodders having an identical colourscheme, and when purple-rod shows up again they'll be best of friends.

As for the scraplets, I was totslly under the impression that they were Whirl's baby from the Christmas issue? Granted, those weren't red, but I'm pretty sure they ended up in the medbay and it would explain the semi-domestication.


Other brief thougts:
Percy saying "it wouldn't be proper" to use Brainstorms lab warmed my heart
Getaway specifically making riptide forget how to transform, rather than the standard last-5-minutes, seems like it... wouldn't work? Brainstorm seems like the only one who both could and would make that kinda mod to the gun, and he's hardly around. Perhaps this will lead into #12 (or even a later return for boaty mcboatface). Either that or it is just Suddenly A Thing It Can Do, in which case I might finally have to hope on the lazy-plot-device bus.
Scotty, "Grapple lifts things" had me in stitches and earned me a few odd looks on my commute

ArmadaPrime wrote:

D-Maximus_Prime wrote:As a small side note to end my post, I don't know why, but the political commentary from Roberts this issue made me twitch ever so slightly.

Honestly likewise. I don't disagree with it and have appreciated it before, but the direct quoting of both "fake news" and "strong and stable" was a little too on the nose for my taste, especially as whenever they're used by anyone but Trump/May now it's generally as a joke. Then again as the review says, perhaps in the current climate throwing subtlety to the wind is somewhat appropriate...

Va'al wrote:Are Getaway and Atomizer really That Good at manipulation (verbal, mental, any other way)
...
Also, you make me raise a point I wanted to mention: Atomizer.
Atomizer is a dirtbag. What is his goal. Why is he even.

Atomiser? Nah, but Getaway? Absolutely. The opening scene (featured in the issues preview) makes me feel legit a bit uncomfortable because of how spot on a depiction Getaway is of genuine real-life manipulative people I've know.
As far as what Atomisers role is... we've known he's been unhappy with the captaincy since Dark Cybertron, but beyond that he just seems like a stirrer, I guess? Even from issue 1 Magnus warned not to trust him with a crossbow. Perhaps he's just jealous of rodders having an identical colourscheme, and when purple-rod shows up again they'll be best of friends.

As for the scraplets, I was totslly under the impression that they were Whirl's baby from the Christmas issue? Granted, those weren't red, but I'm pretty sure they ended up in the medbay and it would explain the semi-domestication.


Other brief thougts:
Percy saying "it wouldn't be proper" to use Brainstorms lab warmed my heart
Getaway specifically making riptide forget how to transform, rather than the standard last-5-minutes, seems like it... wouldn't work? Brainstorm seems like the only one who both could and would make that kinda mod to the gun, and he's hardly around. Perhaps this will lead into #12 (or even a later return for boaty mcboatface). Either that or it is just Suddenly A Thing It Can Do, in which case I might finally have to hope on the lazy-plot-device bus.
Scotty, "Grapple lifts things" had me in stitches and earned me a few odd looks on my commute

Actually the scraplets are not from the Christmas issue and not whirls baby. The scraplets in this issue date back aaaaaaaall the way from the start of MTMTE when it was subtly mentioned that they had a red scraplet infestation on the ship. The scraplets in the Christmas issue weren’t red like you said. Color is a thing. And one was seen in issue sixteen in a single panel of rewinds farewell to chromedome .

Nope, that cover with Megatron likely has nothing to do with the story. Probably just random unused art.

william-james88 wrote:Thanks to Previews World, we now have images of two more covers for Transformers: Lost Light #12. The B cover is done by Nick Roche while the 10 incentive cover is done by Livio Ramondelli. Issue 12 is due next month right after Christmas and will feature the third part of the Mutineers Trilogy, which is all about finally getting back to the Lost Light, proper. Hopefully the presence of Megatron on the cover means something.

Here is the solicit for this particular issue:

(W) James Roberts (A) Jack Lawrence (CA) Livio Ramondelli
NO TURNING BACK! Getaway has crossed one too many lines and made one too many enemies. Hunted down on his own ship, the master manipulator has one last trick of his sleeve-something so shocking, so audacious, that it would put the most evil Decepticon to shame. No one is safe as the Mutineers Trilogy reaches its jaw-dropping climax.
In Shops: Dec 27, 2017

Randomhero wrote:Actually the scraplets are not from the Christmas issue and not whirls baby. The scraplets in this issue date back aaaaaaaall the way from the start of MTMTE when it was subtly mentioned that they had a red scraplet infestation on the ship. The scraplets in the Christmas issue weren’t red like you said. Color is a thing. And one was seen in issue sixteen in a single panel of rewinds farewell to chromosome.

Good spot! I'd missed that entirely .

ArmadaPrime wrote:

Randomhero wrote:Actually the scraplets are not from the Christmas issue and not whirls baby. The scraplets in this issue date back aaaaaaaall the way from the start of MTMTE when it was subtly mentioned that they had a red scraplet infestation on the ship. The scraplets in the Christmas issue weren’t red like you said. Color is a thing. And one was seen in issue sixteen in a single panel of rewinds farewell to chromosome.

Good spot! I'd missed that entirely .

I needed that! Thank you from me too!

I've pretty much come around to Va'al's way of thinking on the series. At first I was looking forward to finding out getaways motivations, intentions, and ultimate plans. he has now been made so over-the-top evil, in a very cartoonish way ,that a lot of the enjoyment has been lost for me. What he does doesn't matter, he is just a manipulative bad guy, his moral standing has eroded. Too much work to make him look worse than Megatron.

In hindsight, I do feel as if I was manipulated into liking Megatron. It would have worked much better if we had done some sort of retcon to where he hadn't been a genocidal despot for eons. Robert's excellent writing of the character made you forget the bad, and I feel a bit off on that.

It's hard to put into words. I'm enjoying this new story, but still feel a bit let down.

Ironhidensh wrote:I've pretty much come around to Va'al's way of thinking on the series. At first I was looking forward to finding out getaways motivations, intentions, and ultimate plans. he has now been made so over-the-top evil, in a very cartoonish way ,that a lot of the enjoyment has been lost for me. What he does doesn't matter, he is just a manipulative bad guy, his moral standing has eroded. Too much work to make him look worse than Megatron.

In hindsight, I do feel as if I was manipulated into liking Megatron. It would have worked much better if we had done some sort of retcon to where he hadn't been a genocidal despot for eons. Robert's excellent writing of the character made you forget the bad, and I feel a bit off on that.

It's hard to put into words. I'm enjoying this new story, but still feel a bit let down.

That last line is crucial: I'm still on board with following the story, but I have an extremely bitter aftertaste with everything concerning the current Lost Light (vessel) happenings. To the point where I'm dreading the next issue - I've not always been a fan of Roberts' endings, and I am very worried about what can happen at this point.

(He made LL#6 work, for me, though I recognise a lot of people were mightily annoyed at the lack of any judgement or punishment for Megatron, who essentially gets a get out free card because charisma. But that's really the one ending I found worked, out of a lot of MTMTE and LL plots.)

Va'al wrote:

Ironhidensh wrote:I've pretty much come around to Va'al's way of thinking on the series. At first I was looking forward to finding out getaways motivations, intentions, and ultimate plans. he has now been made so over-the-top evil, in a very cartoonish way ,that a lot of the enjoyment has been lost for me. What he does doesn't matter, he is just a manipulative bad guy, his moral standing has eroded. Too much work to make him look worse than Megatron.

In hindsight, I do feel as if I was manipulated into liking Megatron. It would have worked much better if we had done some sort of retcon to where he hadn't been a genocidal despot for eons. Robert's excellent writing of the character made you forget the bad, and I feel a bit off on that.

It's hard to put into words. I'm enjoying this new story, but still feel a bit let down.

That last line is crucial: I'm still on board with following the story, but I have an extremely bitter aftertaste with everything concerning the current Lost Light (vessel) happenings. To the point where I'm dreading the next issue - I've not always been a fan of Roberts' endings, and I am very worried about what can happen at this point.

(He made LL#6 work, for me, though I recognise a lot of people were mightily annoyed at the lack of any judgement or punishment for Megatron, who essentially gets a get out free card because charisma. But that's really the one ending I found worked, out of a lot of MTMTE and LL plots.)

Speculating a James Roberts books is damn near impossible aside from slaughterhouse. Most people figured out what was going on and how it would end which Roberts was very upset about that it was figured it so easily.

With this story with this story if I had to speculate I’d imagine Atomizer having a change of heart and diving in to save Riptide and maybe sacrificing himself. He did show signs of hesitation and somewhat regret in this issue but he then did go on with helping murder 25 crew members after all.

Maybe he does save riptide and riptide frees the protectobots and we get why everyone wants...defensor smashing through the lost light until he gets to Getaway, saves the crew and they go to find Rodimus.

The end.

HOWEVER...

That won’t happen.

The ending to part one still hasn’t happened. By the end of this issue atomizer says the protectobots are being pulled in meaning they haven’t been recaptured and their memeory loops haven’t started and the reason they’re throwing riptide in is to kill and strip him to to his life cord and use it as payment so Sunder can put the protectobots in memeory loop which we know by the end of part one happens.

Riptide dies, the protectobots are captured and forced to live in a memory loop and Getaway wins.

Next issue will probably end with the lost light entering The Warren

Nik Hero wrote:Nope, that cover with Megatron likely has nothing to do with the story

You know this for certain? I'm inclined to agree that it's simply unused art, but I can't say for sure. And the way Megatron "left" was kind of unfinished. Like there could have been more, something more final. But then again, this is Roberts writing, so we can't expect high quality story telling.

That's why I said likely. The previous 2 issues' covers had nothing to do with the issue either.

WreckerJack wrote:Cover B looks awesome. I am guessing that would be Mirage covered in energon 'blood'.

(I need to catch up on my Lost Light, have had a lot of stuff going on lately. Hopefully later in the week I can sneak off and grab them.)

Just a little speculation: if cover B shows Mirage, perhaps someone has thrown liquid energon over him in order to locate him and maybe kill him. There is a parallel with the death of Ravage here. Ravage was very elusive but the DJD still found him and killed him. Mirage is also very elusive but not undetectable.

Alternatively, Mirage is killing other bots and gets covered in energon or fuel.

Courtesy of site admin and Twincaster ScottyP, we have been linked to Alex Milne's Twitter account and the image recently uploaded of another variant cover for IDW Publishing's Transformers: Lost Light #12 - the other two can be seen in this previous news story here - in both lineart and colours (by Josh Perez), and featuring the Protectobot combiner Defensor taking it out on Cybertronian punchbag Getaway!

As always, this does not necessarily mean we will see the Gestalt in the issue, but we at least get to take a look at the very Combiner Wars-esque design (including the Groove chest piece), and some neat page layout and interaction with the logo, as Milne also points out. Take a look below!

IDW was kind enough to allow me to show off my cover for #LostLight issue 12. I too wanted in on the combiner action since I don't get to draw them much. I also had fun with the characters interacting with the logo Awesome colours by Josh Perez .

After having the combiner wars story forced on us, I will be very, very passed if Defensor doesn't show up and at least kick Atomizers ass.


Getaway belongs to Hotrod.

Wow! That cover is amazing!

Va'al wrote:Courtesy of site admin and Twincaster ScottyP, we have been linked to Alex Milne's Twitter account and the image recently uploaded of another variant cover for IDW Publishing's Transformers: Lost Light #12 - the other two can be seen in this previous news story here - in both lineart and colours (by Josh Perez), and featuring the Protectobot combiner Defensor taking it out on Cybertronian punchbag Getaway!

As always, this does not necessarily mean we will see the Gestalt in the issue, but we at least get to take a look at the very Combiner Wars-esque design (including the Groove chest piece), and some neat page layout and interaction with the logo, as Milne also points out. Take a look below!

IDW was kind enough to allow me to show off my cover for #LostLight issue 12. I too wanted in on the combiner action since I don't get to draw them much. I also had fun with the characters interacting with the logo Awesome colours by Josh Perez .

Be more interesting if it was Optimus instead of Getaway being the punching bag...

In any case, I wonder if they're going to do the smashed up top left hand corner logo thing like Marvel used to do.

GUISE! LOOK! IT'S THE MOST UNDERRATED COMBINER!!!

Guys, “don’t trust the covers” are for stuff like Megatron being the sole figure on a Sub cover, or a G1 designed being used. Defender has appeared on like 2 or 3 covers for #12 by now. He’s in the issue.

Is this series any good? I’m still working through MTMTE, but the opinions I hear about this series have a different tone.

It's still good--the main issue is that it had to be rebooted to allow for a new #1 as IDW wanted to reboot all their books. This meant that they had to create a new jumping on point for new readers.

Daniel Adkins wrote:Guys, “don’t trust the covers” are for stuff like Megatron being the sole figure on a Sub cover, or a G1 designed being used. Defender has appeared on like 2 or 3 covers for #12 by now. He’s in the issue.

If he doesn't show up, please help me tell of the people commenting on our social media feeds.

That cover became my new phone Wallpaper. My favorite combiner doing what I most want him to do: smashing Assholes!!! I love it!!!

ricemazter wrote:

Randomhero wrote:I have huge problem with this comic and I feel I need to elaborate it. It’s regarding Froide and Sunder. I’m going to try and explain myself and my burning hatred for these two showing up.

1. Sunder

2. SUNDER!!!!! Seriously what the f&$@?!?! Why is he still on that ship! He has the power to use his mind and eyes to make you relive your worst memories, turn you inside out and into a beach ball or even kill you. The beach ball is legitimately worse probably. Why is he there and repaired. rung shot out his eyes- the key to his power- and had a shuttle thrown on him. After he turned a bunch of crew into inside out beach balls and terrorized the ship you’re telling me they repaired him. Nobody, not rodimus, not magnus or anyone didn’t just walk up him flat like a pancake after the rodpod smashed him and just stepped on his brain. He’s a serial killer that just terrorized and tortured the crew of the lost light without even touching them. I find it hard to believe.

3. Hes repaired. Even his eyes. When he’s reintroduced in this issue fully repaired...WITH HIS EYES! That thing that allowed him to torture and kill people and he’s casually walking from the brig to Rungs office with no security on panel. Are you kidding me? HE HAS HIS EYES! HES WALKING AROUND! Even with security we’ve seen that doesn’t matter because he’ll turn anyone he looks at into inside out beach balls!

4. He’s a drug addict. He’s addicted to memeories. He needs them like a crackhead needs crack and he’s once again just casually walking around chit chatting while Getaway is brokering a deal.

5. The deal. Let’s not kid ourselves, the moment Getaway said no deal he would have turned him into a beach ball, then Froide, then atomizer, then riptide and raped and pillaged the ship of memories until they were all dead....BECAUSE THEY LET HIM OUT WITH HIS EYES!

6. Froide. Froide is an interesting dude with his own problems but he was betrayed and turned into a beach ball too and here he is back to normal standing next to monster mash like nothing happened and even joining in on the graveyard smash. Seriously it’s like nothing happened a couple months ago. I don’t care how much of a nut ball you are you wouldn’t be standing next to him WITH HIS EYES INTACT and encouraging him to keep doing it.

Okay I’m done.

That's an excellent question. Another question: is there a reason Sunder doesn't just murder everyone? With his eyes intact, he can make people forget or believe virtually anything through eye contact alone. Why does he need to make deals at all?

To me, him being in this already convoluted story at all seems like a hand wave explanation for things that otherwise wouldn't make sense.

There would have to be a way for Getaway to control Sunder and prevent him from taking over / killing everyone. Maybe that'll be explained soon. Simple bargaining won't be enough in the long run.

snavej wrote:

ricemazter wrote:

Randomhero wrote:I have huge problem with this comic and I feel I need to elaborate it. It’s regarding Froide and Sunder. I’m going to try and explain myself and my burning hatred for these two showing up.

1. Sunder

2. SUNDER!!!!! Seriously what the f&$@?!?! Why is he still on that ship! He has the power to use his mind and eyes to make you relive your worst memories, turn you inside out and into a beach ball or even kill you. The beach ball is legitimately worse probably. Why is he there and repaired. rung shot out his eyes- the key to his power- and had a shuttle thrown on him. After he turned a bunch of crew into inside out beach balls and terrorized the ship you’re telling me they repaired him. Nobody, not rodimus, not magnus or anyone didn’t just walk up him flat like a pancake after the rodpod smashed him and just stepped on his brain. He’s a serial killer that just terrorized and tortured the crew of the lost light without even touching them. I find it hard to believe.

3. Hes repaired. Even his eyes. When he’s reintroduced in this issue fully repaired...WITH HIS EYES! That thing that allowed him to torture and kill people and he’s casually walking from the brig to Rungs office with no security on panel. Are you kidding me? HE HAS HIS EYES! HES WALKING AROUND! Even with security we’ve seen that doesn’t matter because he’ll turn anyone he looks at into inside out beach balls!

4. He’s a drug addict. He’s addicted to memeories. He needs them like a crackhead needs crack and he’s once again just casually walking around chit chatting while Getaway is brokering a deal.

5. The deal. Let’s not kid ourselves, the moment Getaway said no deal he would have turned him into a beach ball, then Froide, then atomizer, then riptide and raped and pillaged the ship of memories until they were all dead....BECAUSE THEY LET HIM OUT WITH HIS EYES!

6. Froide. Froide is an interesting dude with his own problems but he was betrayed and turned into a beach ball too and here he is back to normal standing next to monster mash like nothing happened and even joining in on the graveyard smash. Seriously it’s like nothing happened a couple months ago. I don’t care how much of a nut ball you are you wouldn’t be standing next to him WITH HIS EYES INTACT and encouraging him to keep doing it.

Okay I’m done.

That's an excellent question. Another question: is there a reason Sunder doesn't just murder everyone? With his eyes intact, he can make people forget or believe virtually anything through eye contact alone. Why does he need to make deals at all?

To me, him being in this already convoluted story at all seems like a hand wave explanation for things that otherwise wouldn't make sense.

There would have to be a way for Getaway to control Sunder and prevent him from taking over / killing everyone. Maybe that'll be explained soon. Simple bargaining won't be enough in the long run.

We talked about this on the 190 podcast too, and I still have no idea why he doesn't indeed go around tennisballing everyone. ScottyP did make a good point about his eyes though, and how they're not The Eyes, but just his regular optics.

We have a little more comics news for you all this day, courtesy of iTunes once more and Seibertron.com admin-slash-TwincasterPodcaster ScottyP - and despite it being a little early, we get a new look at the opening pages of the next issue of Transformers: Lost Light from IDW Publishing!

The concluding issue to the Mutineers Trilogy, number #12, brings us back to the oil reservoir and Riptide's punishment at the hands of Getaway and Atomizer - what will happen from here? Will we actually see the Protectobots and Defensor turn up again in the story? What is up with Atomizer? Is Sunder still chompign down on brain modules? Find out in a couple weeks' time, and join the discussion - with some added panache from episode 190 of the Twincast / Podcast, if you're so inclined - in the Energon Pub!

NO TURNING BACK! Getaway has crossed one too many lines and made one too many enemies. Hunted down on his own ship, the master manipulator has one last trick of his sleeve—something so shocking, so audacious, that it would put the most evil Decepticon to shame. No one is safe as the Mutineers Trilogy reaches its jaw-dropping climax.

We asked Sunday if we'd ever seen Riptide's boat mode. Well, there it is! Neat

Cover B looks amazing for this one.

ScottyP wrote:We asked Sunday if we'd ever seen Riptide's boat mode. Well, there it is! Neat

I'm pretty sure that we saw it in one of the Brainstorm time chase issues.

Ironhidensh wrote:

ScottyP wrote:We asked Sunday if we'd ever seen Riptide's boat mode. Well, there it is! Neat

I'm pretty sure that we saw it in one of the Brainstorm time chase issues.

Yeah it’s popped up a couple times. Elegant chaos and when tailgate and Getaway used him as a fishing boat

Randomhero wrote:

Ironhidensh wrote:

ScottyP wrote:We asked Sunday if we'd ever seen Riptide's boat mode. Well, there it is! Neat

I'm pretty sure that we saw it in one of the Brainstorm time chase issues.

Yeah it’s popped up a couple times. Elegant chaos and when tailgate and Getaway used him as a fishing boat

Ah, right. That latter one feels like it'll come up again now as well. Thanks to you both!

Atomizer suddenly remembers that he's an Autobot, and not one of the immoral ones who I don't understand why they were Autobots in the first place.

I really don't understand why Roberts went with the whole Getaway is wrong and unredeemable instead of...well the far more interesting way of Getaway having an actual point because up till recently he did have one with Rodimus being a horrible Captain (And just a horrible'y written character who tends to forget about character development) and Megatron just being off the hook basically and becoming one of the captains of the ship. (I like Megatron's story on the Lost Light or at least most of it)

It be nice to have an Antagonist who wasn't just evil with little else going for them (Overlord, Tyrest, Star Saber, DjD, Froid, etc)

At least these last few issues have been better then that bore that was most of Lost Light prior to returning to well the Lost Light.

Deadput wrote:Atomizer suddenly remembers that he's an Autobot, and not one of the immoral ones who I don't understand why they were Autobots in the first place.

I really don't understand why Roberts went with the whole Getaway is wrong and unredeemable instead of...well the far more interesting way of Getaway having an actual point because up till recently he did have one with Rodimus being a horrible Captain (And just a horrible'y written character who tends to forget about character development) and Megatron just being off the hook basically and becoming one of the captains of the ship. (I like Megatron's story on the Lost Light or at least most of it)

It be nice to have an Antagonist who wasn't just evil with little else going for them (Overlord, Tyrest, Star Saber, DjD, Froid, etc)

At least these last few issues have been better then that bore that was most of Lost Light prior to returning to well the Lost Light.

I wouldn’t go as far as to say he’s remembered he’s an autobot. They’re all autobots. IDW autobots are so grey morally ambiguous anymore. He’s just remembered he has a conscience...but he still participated in killing 25 autobots. Safe to assume they were all made up autobots for right now since we’ve seen almost all the famous bots on board

Randomhero wrote:I wouldn’t go as far as to say he’s remembered he’s an autobot. They’re all autobots. IDW autobots are so grey morally ambiguous anymore. He’s just remembered he has a conscience...but he still participated in killing 25 autobots. Safe to assume they were all made up autobots for right now since we’ve seen almost all the famous bots on board

Oh yeah I almost forgot about the biggest flaw of IDW, Almost every Autobot is so bloody emotionally bland with all the moody gray.

It's rare to see Autobots being actual Autobots even Optimus who so happens to be less moral then the Bay films guy. (And I love the Bay films but I know how much Optimus can get)

Anyways their clearly setting up Atomizer to turn on Getaway.

Deadput wrote:

Randomhero wrote:I wouldn’t go as far as to say he’s remembered he’s an autobot. They’re all autobots. IDW autobots are so grey morally ambiguous anymore. He’s just remembered he has a conscience...but he still participated in killing 25 autobots. Safe to assume they were all made up autobots for right now since we’ve seen almost all the famous bots on board

Oh yeah I almost forgot about the biggest flaw of IDW, Almost every Autobot is so bloody emotionally bland with all the moody gray.

It's rare to see Autobots being actual Autobots even Optimus who so happens to be less moral then the Bay films guy. (And I love the Bay films but I know how much Optimus can get)

Anyways their clearly setting up Atomizer to turn on Getaway.

Eh, I kind of like that the Autobots in IDW have their own foibles and gray areas. A lot if that, I think, owes to the writing in IDW where it seems the vast majority of Autobots joined because a) they saw that the Decepticons were going to be a problem, b) benefited under Cybertron's pre-war society and didn't want to see that go up in smoke or knew the Decepticons would be coming for them, or c) were literally born into war like Getaway.

I like that a lot if them don't necessarily agree with Optimus 100 percent of the time and don't have a high opinion of organics because why would they?

If there's one big issue I have with IDW at the moment it's that they didn't fully explore post-war reconciliation before sort of dropping it. Like, there are countless Autobots and Decepticons who, as MTOs, were brought online specifically to fight a war they didn't have a steak in. The idea that most of them are just fine with that and don't have some serious complaints about the ethics of their situation is crazy.

Deadput wrote:Atomizer suddenly remembers that he's an Autobot, and not one of the immoral ones who I don't understand why they were Autobots in the first place.

I really don't understand why Roberts went with the whole Getaway is wrong and unredeemable instead of...well the far more interesting way of Getaway having an actual point because up till recently he did have one with Rodimus being a horrible Captain (And just a horrible'y written character who tends to forget about character development) and Megatron just being off the hook basically and becoming one of the captains of the ship. (I like Megatron's story on the Lost Light or at least most of it)

It be nice to have an Antagonist who wasn't just evil with little else going for them (Overlord, Tyrest, Star Saber, DjD, Froid, etc)

At least these last few issues have been better then that bore that was most of Lost Light prior to returning to well the Lost Light.

Here's the thing, though: Getaway has never been a good guy. He was planning the mutiny since back before Megatron ever got on the ship. He didn't actually care about Megatron not getting punished for his crimes, it just made a useful tool to sway others to his cause.

Daniel Adkins wrote:Here's the thing, though: Getaway has never been a good guy. He was planning the mutiny since back before Megatron ever got on the ship. He didn't actually care about Megatron not getting punished for his crimes, it just made a useful tool to sway others to his cause.

Yeah that's the case now that we have more information but before then we had no idea, the comic did not show how evil Getaway was...why is he even an Autobot in the first place?

Prowl's a prick but at the very least he does the things he does because he is trying to make everything better, Getaway is just a scumbag which sucks for me because I really like Getaway years ago...now that I think about it I have no idea why he was just another car Autobot who so happen to die a lot in comics.

ricemazter wrote:
Eh, I kind of like that the Autobots in IDW have their own foibles and gray areas. A lot if that, I think, owes to the writing in IDW where it seems the vast majority of Autobots joined because a) they saw that the Decepticons were going to be a problem, b) benefited under Cybertron's pre-war society and didn't want to see that go up in smoke or knew the Decepticons would be coming for them, or c) were literally born into war like Getaway.

I like that a lot if them don't necessarily agree with Optimus 100 percent of the time and don't have a high opinion of organics because why would they?

If there's one big issue I have with IDW at the moment it's that they didn't fully explore post-war reconciliation before sort of dropping it. Like, there are countless Autobots and Decepticons who, as MTOs, were brought online specifically to fight a war they didn't have a steak in. The idea that most of them are just fine with that and don't have some serious complaints about the ethics of their situation is crazy.

Here is the thing I don't mind grey Autobots at all...when their the few exceptions and not the majority of the entire faction but at the very least people like Jazz and Bumblebee should not be like that at all.

And especially not god damn Optimus Prime who is slowly becoming even more like scum and that really should never be the case, he is a worse Optimus then people think Bayverse Prime is, you also don't need most of the Autobots to be immoral to question Prime there are other ways you can have characters question him.


Transformers does not work as a grey vs grey franchise and it never will, I really wish comics would stop making everything so damn nitty gritty and dark these days because when it's the main thing and not the occasional it becomes depressing and why the hell would I want to feel constantly depressed while reading the comics?

It's like if all I ever ate for snacks was dark chocolate it becomes boring every once in awhile, eventually I'm gonna want skittles or something.

It's why I probably enjoy the Nu Rid show a lot more then I normally would have.

I don’t think there’s anything wrong with the Autobots having a dark side. In war there’s so such thing as pure good vs pure evil. Hell, during WWII the allied sides tried some weird stuff during the war. Trying to make incendiary bat to bomb japan, trying to paint dogs with glow in the dark paint and releasing them in Japan as a form of psychological warfare etc.

I do however think Roberts does maybe emphasize too much on the bad sides of the Autobots though.

Deadput wrote:And especially not god damn Optimus Prime who is slowly becoming even more like scum and that really should never be the case, he is a worse Optimus then people think Bayverse Prime is, you also don't need most of the Autobots to be immoral to question Prime there are other ways you can have characters question him.

I kinda find it interesting that, as Megatron tries so hard to do good, Optimus Prime is finding his principles more compromised. Their roles are reversing--a little abruptly for Megatron, but far slower and more nuanced, more natural, for Prime.

Randomhero wrote:I don’t think there’s anything wrong with the Autobots having a dark side. In war there’s so such thing as pure good vs pure evil. Hell, during WWII the allied sides tried some weird stuff during the war. Trying to make incendiary bat to bomb japan, trying to paint dogs with glow in the dark paint and releasing them in Japan as a form of psychological warfare etc.

I do however think Roberts does maybe emphasize too much on the bad sides of the Autobots though.

This is not real life though it's a fictional comic meant for entertainment if I wanted a realistic war I would go watch all of the depressing and soul killing documentations about all the human wars

It's bloody boring now just like how unoriginal it is that every other Prime besides Optimus (And in IDW he's just barley better) is evil which kinda makes the Primes a plot whole since their apparently supposed to be the "greatest" of them all.

I loved stories like Last Stand of The Wreckers but in that story the darkness of the story served a purpose and we loved it so much for plenty of reasons one of them being how refreshing it was to see a darker take of the Transformers but IDW has taken that aspect and run it into the ground and made it the only thing the IDW universe is anymore.

The Darkness of a story should only be occasional and not the whole thing, remember how horrifying it was to see Blurr's fate in Transformers Animated even if it was retconned later? That would not have been as effective if the story wasn't so light hearted most of the time before hand.

Dark chocolate is a snack not a whole meal if that makes any sense.

Blozor wrote:

Deadput wrote:And especially not god damn Optimus Prime who is slowly becoming even more like scum and that really should never be the case, he is a worse Optimus then people think Bayverse Prime is, you also don't need most of the Autobots to be immoral to question Prime there are other ways you can have characters question him.

I kinda find it interesting that, as Megatron tries so hard to do good, Optimus Prime is finding his principles more compromised. Their roles are reversing--a little abruptly for Megatron, but far slower and more nuanced, more natural, for Prime.

The concept of the idea is a good one but the execution on the other hand is not that great.

Overall Optimus Prime in idw has been at his best when he's not Optimus Prime but the two times he was Orion Pax.

This may be one of the biggest spoiler previews I've seen to date. Come on guys, you can do better than this. The Riptide moment was the big one of the previous issue, to spoil it like this.....

Ebonyleopard wrote:This may be one of the biggest spoiler previews I've seen to date. Come on guys, you can do better than this. The Riptide moment was the big one of the previous issue, to spoil it like this.....

The previews are indeed a giant spoiler for the trade readers, rather than month-to-month followers, that much is true. However, that has also always been the case.

After the Twincast Podcast Mainframes episode in which we spent over an hour talking about a number of elements present in IDW Publishing's Transformers: Lost Light #11.. the full preview for the final chapter in the Mutineers' Trilogy (LOst Light #12) already negates at least three of our major speculation points!

You can check out the preview below, and let us know what you think of the arc so far in the Energon Pub discussion boards.

Transformers: Lost Light #12—Cover A: Jack Lawrence
James Roberts (w) • Jack Lawrence (a & c)
NO TURNING BACK! Getaway has crossed one too many lines and made one too many enemies. Hunted down on his own ship, the master manipulator has one last trick of his sleeve—something so shocking, so audacious, that it would put the most evil Decepticon to shame. No one is safe as the Mutineers Trilogy reaches its jaw-dropping climax.
FC • 32 pages • $3.99

Bullet points:
Variant cover by Livio Ramondelli!

so excited

Synopsis
NO TURNING BACK! Getaway has crossed one too many lines and made one too many enemies. Hunted down on his own ship, the master manipulator has one last trick of his sleeve—something so shocking, so audacious, that it would put the most evil Decepticon to shame. No one is safe as the Mutineers Trilogy reaches its jaw-dropping climax.



Story

This week, we return to the Lost Light, and look at the ever-eventful continuations of the horrors contained within the mind, actions and direct respondents of one ship's new self-appointed captain. Welcome back to Getaway, Atomizer, and the Plotters' Club in the conclusion to the Mutineers' Trilogy - Lost Light #12. And, I feel the need to proceed with caution here, as I have yet to make my mind up about the issue. Bear with me.



Looking at the things that work, then: the interlude and the main story, taken as their own beasts, are good frames within which the two threads operate, with a connection (or several, but one in particular) that is as obvious as it is likely to miss with everything else happening. They also both nicely set-up some more world-work that we are bound to see soon. Also, First Aid continues to delight, and the action sequences are, on the whole, placed down nicely.



Which leads me to the main concern: pacing. I've discussed this with staff, and there are wildly differing views, of no help at all, that the sequences are running to fast, too disconnected, and trying to gather together too many yarns and making a big knot out of them than a tapestry. There is undoubtedly a lot going on in the issue, and I feel like you can take that one way or another entirely, without necessarily discrediting the opposite view.



The better comments to reconcile the two parts of my appreciation for the book do not find their place in this review, for the simple reason that they are entirely based on the latter part of the book, and I do not wish to simply discuss plot. My concerns with pacing remain, however, and I will add a couple of extra, more potentially spoilery notes in the section at the end of this piece.


Art

The art on the issue is in the hands of two different artists, for a very specific in-plot reason too: Jack Lawrence on the main frame, and Andrew Griffith on the interlude section featuring the return of a fair number of characters. And where the first has no real criticisms from me, the latter's linework felt oddly out of place, compared to track record: it may have been just an issue of time, it may be the contrast between two very different styles, but it stood out in not the most positive of ways - that said, the layouts are excellent, and the scenes do play out well, the issue is almost entirely with the details.



Lending fuel to the idea that there may have been a time-constraint element to the issue's production, there are three colourists to look at for the art: Joana Lafuente, Priscilla Tramontano, JP Bove. The major contrast is only really to be found in the interlude vs main story, but even there something wasn't entirely in sync between lines and colours, and perhaps a darker palette on the Lost Light scenes may have helped consolidate some of the moments we're witnessing - though the hangar scenes looked really quite apt.



The lettering by Tom B. Long has some really nice moments, scattered through the book, that play with the more humorous moments (dark humour, at that) and the more action-heavy scenes, and never feel out of place - the dialogue is heavy, not helping with the density of the script, but placing flows well in the panels. The cover I thought most worked for this review is the Alex Milne/Josh Perez moment of frustrated anger (nicely cut at the thigh, too), but the other two main variants are definitely worth their presence, and the Ramondelli Megatron companion to the Optimus Prime one in a previous comic is nice enough as an RI. You can, of course, see them all in our database entry here.

Thoughts
Spoilerish ahead

I haven't shied away in previous reviews and general comments on the series (and this arc specifically) from expressing my dislike of how plots are created and made to work - especially with some of the character build-ups (except for First Aid and Atomizer), and the over-the-top rounding off of Getaway after issue #10. That said, and as ScottyP reminded me in the email discussion we had, liking or disliking the story valid criticism is not.



I, personally, cannot say I enjoyed the issue that much at all, but I recognise that point as extremely valid. So here is my critical thought on the issue: it is dense, definitely so, and the pacing is very very rushed but that may be exactly what it is supposed to do - except.. the problems with the visual side of things drag this down further for me, and I really want to know what happened.

The action-packed sequences on the Lost Light mirror the action of the interlude, with two different feelings of horror and frustration, seen from two very different perspectives, but not well executed enough to fully land, for me. As a whole, where this is most definitely not a book for an entry level reader, longtime followers may equally react very well or very poorly to the story, depending on your interest in the wider picture versus the more immediate character and plot work of the arc. Your Mileage May (Very Much) Vary.






Bonus content: Official Music Recommendations

I was MAJORLY disappointed in this story. Mostly for all the grisly murders that took place. I mean, come ON. Mirage is bisected, Rook and nearly all the Protectobots are gunned down and likely dead. So that means Defensor is essentially dead. My favorite combiner shows up for all of two seconds and is taken out like a cheap tin can by mother-effing Star Saber? I have to agree with you somewhat on the story being dense. The thing is, it didn't need to be. I really could have done without the interlude. The art does look rushed, and the entire interlude takes away from what could have been a more dramatic death for Defensor and the Protectobots. They could have fought back, or at least have been seen doing so, but instead, what we get is the Bad News Bears version of the Decepticons (Scavengers) being oh so goofy and hiiiiilaaaaarious. It does a disservice to those killed to make their deaths so quick and cheap.

Honestly, I think this may be my jumping off point for Lost Light. It's going for shock value and plot-driven arcs over actual character development. When Skids died, it meant something. It felt devastating. The deaths in this issue felt cheap, tacky and gory, to a point. Nautica was ruined as a character for me after her actions on Troja Major. Anode's introduction was annoying as hell, and while she has vaguely mellowed as a character and become less annoying, she still grates on my nerves. There's nothing redeeming about this book anymore. I wish IDW had kept TAAO instead of this off-the-rails mess that is being passed off as a "fan-favorite". I'm going to unsubscribe right now.

I don't mind the violence or the gore - that was not my issue, at all.
It's not the first time we see it, for example, and as I say in the review, not liking how violent it is does not mean the story is bad.

On the density, yes. That was not well done, in my opinion.

But the biggest offender, to me, personally? Riptide's 'you're too dumb to be affected by this weapon'. It felt like a cheap shot, and not entirely sure where it fits with the otherwise flawed but empathetic messages of the book.

I stopped reading this title about 6 issues ago and at least the last 10 I read before giving up were a painfu slog at best. Glad I stopped before this rag dumps all over the memory of what a geat comic this once was.

Va'al wrote:I don't mind the violence or the gore - that was not my issue, at all.
It's not the first time we see it, for example, and as I say in the review, not liking how violent it is does not mean the story is bad.

On the density, yes. That was not well done, in my opinion.

But the biggest offender, to me, personally? Riptide's 'you're too dumb to be affected by this weapon'. It felt like a cheap shot, and not entirely sure where it fits with the otherwise flawed but empathetic messages of the book.

While I agree with you on the cheap shot towards Riptide, I feel like the whole "reintroduce the Protectobots/Defensor and Mirage, only to slaughter them two issues later to move the plot forward" was the cheapest of shots. This story (and sadly, now this book) just has soured me on wanting to read Roberts' work again. He cheapens characters' deaths for shock value and plot points.

And another thing, why the HELL would Star Saber help Getaway with ANYTHING, seeing as how Getaway was locked up by Tyrest at one point?