Date: Monday, August 22nd 2022 7:36pm CDT
Categories: Cartoon News,
Event News
Posted by: Sabrblade Discuss This Topic · Permanent Link
Views: 112,778
A week ago, TFNation 2022 was held in the United Kingdom, whereat Transformers uber-fans Jim Sorenson and Chris McFeely held a very special presentation on the Saturday night of August 13, which was followed by an extra panel the next day on Sunday, August 14.
This presentation was, without a doubt, the event of the weekend. Back in June, Chris held a livestream on YouTube in which he momentarily hyped up this event as "one of the most important panels ever held at a Transformers convention." He later made
this post on his YouTube community portal, which featured the following promotional art:
To cut to the chase, Jim and Chris held a live presentation of the long lost, original, very first draft script of Transformers: The Movie (1986) written by Ron Friedman!
For about 12 years, this original script was thought to have been lost to time and gone for good. But about two years ago in the summer of 2020, G1 cartoon writer Flint Dille was going through his storage and unearthed this long lost script. Jim Sorenson then flew out to Los Angeles and spent the next week scanning as much of the script as he could. And now, after all these years, Jim and Chris have finally made the contents of this lost piece of Transformers known to the public!
At the presentation, they provided an in-depth summary of the script's events, accompanied by brand new artwork created especially for the occasion.
While the artwork is unofficial, it provided visual illustrations of several events described by Friedman's script, each interpreted by the artists who drew them. Said artists included Ed Pirrie, Andy Turnbull, James Marsh, and Kris Carter.
While I, myself, was not present at the event, live updates were provided through both the TFWiki Discord server (most notably from uses Jacob McBaggins, Broadside, and Greeby) and the
Twitter of James Bach. It is from these sources that I have compiled the following full report of the presentation.
---
By and large, the script is only vaguely resemblant to the final version of the movie. Some broad strokes are similar, but the biggest differences lie in the details. In fact, Flint Dille has previously gone on record calling this script "incoherent". As you will soon begin to see, "incoherent" is the
kindest word one could use to describe it, as it honestly feels like Friedman just made up as he went along.
This script draft was first written in August 1984, before the first episode of the G1 cartoon had even aired. Literally right after the final episode of Season 1, "Heavy Metal War", had been written. Season 2 hadn't even been conceptualized yet. No date is given for when it takes place. Not 2005, not the 1980s, nothing.
The story begins with the Battle of Autobot City. Except, it's not Autobot City, but just a steel mill. The Constructicons steal some steel ore from carts around the plant to build siege towers to attack the place. The Autobots who defend the steel mill are (from left to right):
- Hot Rod – Depicted here using the earliest known design by Floro Dery.
- Tanker – Grizzled old Autobot who's missing an eye, transforms into a Sherman tank.
- Magnus – Not "Ultra" Magnus. Drawn here in Floro Dery's early design that was later used for Orion Pax before the Diaclone Powered Convoy toy was decided to represent him.
- Arcee – Field medic, shown here in an early Floro Dery design.
- Wheeljack – Very sexist and misogynistic toward Arcee throughout the entire script, which is played for "comedy".
As the Decepticons continue their attack on the steel mill, three of them combine into a cannon that begins to shoot "fire snow" at the Autobots. What is fire snow? Napalm. Yes, the Decepticons attack the Autobots... with napalm.
Tanker gets his arm burnt off and, in the heat of the moment, acts rather sexist toward Arcee. Magnus grabs an industrial bucket and, in a very cartoony moment, simply catches the balls of fire snow napalm in the bucket and
tosses it back at the Decepticons. He saves Hot Rod in the process. The Decepticons dive for cover but get blown up by their own napalm tossed back at them, and are clobbered by the steel bucket.
Reinforcements for the Autobots arrive aboard an old locomotive train carrying rocket fuel in flatbed cars.
The train is manned by human allies General Blaze and Colonel Rusty Steel, the latter of whom is described by the script as an "Indiana Jones" type. Hasbro's feedback on the character basically says that his personality would later be applied to Springer.
General Blaze
Colonel Rusty Steele
The train carrying the rocket fuel is meant to distract the Decepticons from their attack on the steel mill, making them think the train is just a simple fuel delivery and an easy target, from which the Autobots can ambush Megatron.
Starscream attacks the train and ties it in a pretzel knot. The train then begins to transform from an old locomotive into a bullet train, a process called "Transformation Alpha". Starscream is then run over. (It is at this point that Jim pointed out that Starscream will have a lot to do in this story, only to clarify that he gets his
butt kicked a lot.) The train is now revealed to be an Autobot Triple Changer named Rails, who commences "Transformation Beta" into his robot mode... A GIANT SNAKE ROBOT MODE!!
Hot Rod soon runs out of ammo... in a
laser gun. A Decepticon charges at him with a laser chainsaw, but Tanker steps in and trips up the Decepticon, who then falls on his own laser chainsaw and is bisected in half by it.
Then the Optimus and Megatron fight happens... basically the same as it does in the final movie, verbatim even. As the Decepticons retreat from the battle following Megatron's defeat (no Astrotrain here, they all just
fly out into space on their own power), Ratchet, Wheeljack, and Arcee perform triage on Prime and determine that the damage is fatal. Rusty Steele objects, stating that they can't make that call in the field. Half the Autobots go with Ratchet to take the dying Optimus back to the Autobots' volcano base, while the other half go with Wheeljack to build ships to chase after Megatron. Gears is here as well, and is an insensitive jerk about the whole thing.
Basically, Friedman was mandated to kill off Optimus, but no other 1984 Autobots die either. The idea behind all this was to make the movie start out like a typical G1 cartoon episode until it
wasn't. Hot Rod is very broken up over Optimus's current state ("I don't know how I'll stand it if Prime dies because of me"), but Tanker basically just tells him to suck it up and not be such a wimp. Jerk.
Meanwhile, the Decepticons make it back to Cybertron by just
flying all the way there. In the final version of the movie, the place at which Starscream's coronation is held is referred to by its script as the Decepticon Hall of Heroes. In
this script, the Hall of Heroes is basically described as a sci-fi version of Adolf Hitler's Nuremburg Rally Hall, in the Third Reich. According to Jim and Chris, the script is practically
dripping with full-on Nazi references all over the place.
Megatron is there with them and dies unceremoniously while everyone argues over who gets to be the new leader. A fight soon breaks out. As Starscream and Skywarp fight, they inadvertently blow up the urn that was meant to house Megatron's "life spark". Without it, Megatron's ghost flies out of his body. As he pathetically begs and pleads for the other Decepticons to preserve his essence, they take no notice and continue their fight. Megatron's purple "life spark" ghost helplessly flies off into space.
Back on Earth, the entire volcano that houses the Autobots' base now opens up like Tracy Island from Thunderbirds. It's now a whole base for both Autobots and humans. Two such humans are Dr. Ellen Prentiss and her young son Daniel. Yep,
that Daniel. In this script, he is not Spike's son. In fact, Spike isn't even in this story at all. Here, Daniel looks up to and idolizes Colonel Rusty, who in turn calls the boy "Dan-o".
Springer is also one the Autobots there, whom the script describes as "a huge, Arnold Schwarzenegger type". He is also described by the script as turning into something like either a jet-powered missile launcher, or a jet-powered steam roller. He also barely does anything in the whole story.
Out in space, Megatron's ghost is summoned to the planet Unicron. In this version, Unicron is the name of the planet and its leader is a mysterious intelligence simply known as "the Entity". Planet Unicron has tree trunks that resemble a big hand, and trees that are like hair. (Attendee reaction to this described it as "horrid".) The Entity agrees to recreate Megatron into Galvatron in exchange for Megatron/Galvatron going back to Cybertron, bringing all of its Decepticon inhabitants under the Entity's will, and then taking all of the Decepticons to Earth for a more important plan.
Galvatron is apparently described in the script as both looking like a bigger Megatron covered in metal scales, and looking like he's wearing a black military uniform. For the accompanying fanmade artwork, however, he is instead depicted in his early Floro Dery design with toy-accurate colors. He also receives a unique insignia on his chest (looks like the artists chose to base their interpretation of it on the Beast Wars Neo Blentron insignia).
And now comes Optimus's death scene. In this version, instead of the Matrix of Leadership, a little green baby version of Optimus in energy form emerges from his chest. It is referred to as Optimus's "Matrix", long before the Creation Matrix was a thing in the Marvel Comics. It's basically Optimus's "life spark", like what came out of Megatron earlier when he died. The Baby Optimus goes into Magnus's body, making him "Ultra" Magnus.
On Cybertron, Galvatron arrives and Starscream recognizes him as Megatron. Starscream gets to live in this version and all of the Decepticons get new upgraded forms by the power of Planet Unicron. For the Seekers, the artists chose to base their interpretation of these upgraded forms off of Starscream's coronation gear from the final movie. In the script, the idea was to just make them bigger.
Cybertron is then destroyed in a beam of light and NOBODY cares. All except for Galvatron for about 30 seconds. The Decepticons then head for Earth. End of Act 1.
---
Act 2 begins with the Autobots building giant metal shields to protect Earth's cities so that they can take their new fleet of ships Wheeljack is building and go after the Decepticons without worry. The shields are said to be made out of metals with ridiculous names like "titano-rubidium steel" and "durabyl-metal". The script apparently takes two or three whole pages to describe the shields.
Colonel Rusty Steele seems to be taking point in this operation, while a bunch of "comedy" bits are going on around him. Namely, Wheeljack has a running "gag" where Arcee will do something really competent behind his back while he is oblivious to this and makes several sexist remarks about "she-bots". And he does this all throughout the script.
When the Decepticons arrive, Teletraan I cannot even compute their newly-acquired power. The Entity fires a green energy blast from space that strikes Galvatron, goes through him into the other Decepticons, and powers them all up enough for them to blast through all the shields the Autobots just built, destroying them in an instant despite multiple script pages setting up the shields.
Oh, and Prowl is here and doesn't die. And Starscream gets beaten up a second time, suffering endless slapstick. Even so, the Autobot base is overrun and they have to retreat.
A time-skip occurs. The Decepticons have a "Sweep Party" of black "Gestapo-like" bots searching for the Autobots, who have since set up a guerilla camp. This is from where the idea of the Sweeps originated.
The Decepticons have apparently taken over and are building an "energy drain cage" around the Earth, in order to siphon its energy and send it all to Planet Unicron.
Daniel gets the camp found by the Sweep Gestapo by accidently setting off Teletraan I, who mistakes him for an intruder.
Now engaged in a guerilla war, Tanker and Hot Rod go off to recruit a crack squad of the best of the best to help everyone get to the one remaining Autobot ship, so they can go find the source of the Decepticons' new powers.
First is Chemico, "the walking laboratory". He literally just pops up to make a smokescreen and never appears again.
Magnus also transforms... into either a truck or a combine harvester. The idea behind what his altmode should be was "What's the coolest vehicle to run someone over with?"
The Autobots knock away the Decepticons with baseball bats and escape via a river raft. Yes, really.
Springer is also here. As is Starscream. You know what that means? It's clobbering time, Screamer! Springer uses his jumping power, which Jim compares to bouncing like Tigger. Springer grabs Starscream and a generic Decepticon and bonks their heads together, which also results in the two 'Cons impaling each other with their limbs. Starscream is furious and threatens to boil the Autobots in their own pee (yes,
really!), and demands "UNKNOT MEEEEE!!" (Chris McFeely did his best and most throat-hurting Chris Latta impression for this line).
Other Autobot recruits include Blurr (who in this version talks reeeeeeeaallly slow, like Jimmy Stewart), Grimlock, Swoop, Sludge (but no other Dinobots) and Mentlar (a "Carl Sagan" type whose role as the "smart guy" is later taken by Perceptor).
Don't confuse his name with "Metlar", who is one of the Inhumanoids. He's "Mentlar", because of his great "mental" capacity. He turns into a radar truck.
Mentlar presses a button that activates a giant energy grid that he uses like a big flyswatter to disable the Insecticons and strip them of their Unicron upgrades, allowing the Dinobots to defeat them. Afterward, this grid is never used or brought up again.
The Autobots reach the last ship they still have, which is hidden inside an ice cave.
As Rusty, Daniel, and Ellen board the ship, Rusty gives Daniel his lucky silver dollar as a promise that they'll get through this. As the ship takes off, Hot Rod, Tanker, and the Dinobots are still fighting on the ground and just fly up alongside the ship, flying through space outside the vessel. Bumblebee shows up here just to get blasted off-screen by a cluster bomb. Wheeljack and Arcee remain on Earth to keep fighting the Decepticons and Wheeljack has more misogynist moments with Arcee.
Galvatron is mentally tortured by the Entity, who calls him an imbecile and tells him to destroy the fleeing Autobot ship. He give Galvatron a ship of his own, which resembles an aircraft carrier (this was the prototype version of Galvatron's ship from the final movie). Rusty and Daniel man the Autobot ship's guns like Han and Luke in Star Wars: A New Hope. And then a random space hurricane interrupts the battle, destroying Galvatron's ship and hurling Hot Rod, Tanker, and the Dinobots off into space. Galvatron emerges from the wreckage of his ship, sees no Autobots, and thinks he's won. End of Act 2.
---
Act 3 begins with the Autobots' ship crash-landing on Planet Unicron's moon, drawn there by a tractor beam brainwave.
Back on Earth, Arcee twirls Starscream around like a wrestler and tosses him at a freeway overpass, collapsing it on top of other Decepticons. Despite this, Wheeljack is still sexist to her. This is also Starscream's last scene.
Hot Rod, Tanker, and the Dinobots end up on a planet that would later become Quintessa in the final movie. Sharkticons proceed to eat Swoop, but only nibble on him rather than consume him entirely.
The script keeps cutting back and forth between the moon with Magnus's team, the planet with Hot Rod's team, and Earth with Wheeljack and Arcee, the latter of whom ends up kissing Wheeljack on the cheek at one point.
Galvatron is told by the Entity to go into space and kill the Autobots stranded on the moon. His army flies off from Earth in space cruisers they just suddenly have now. As they approach Unicron's moon, the Autobots there trick the Decepticons with cardboard cutouts as decoys.
Hot Rod, Tanker, and the Dinobots witness the arena-style execution of a rock-based alien named Granix. Yep, before he was Kranix, he was Granix, his name based on "granite". And the Sharkticon pit was a battle arena rather than a shark tank.
Here, the Sharkticons have sensors that direct them to eat whatever they bump into, likely explaining what those antennae they have are supposed to be.
When Hot Rod's group stands trial, they are found "Innocent of trespassing but guilty of insolence". Hot Rod blinds the Sharkticons, but the Quintesson uses its mental powers to just make more Sharkticons from scrap. Hot Rod subdues the Quint and orders it to use its mind powers to find the other Autobots. It ends up finding Planet Unicron.
On Unicron's moon, the Decepticons have found the Autobots' three human allies, who all wear exo-suits implied to work by telekinesis. Rumble forces Daniel to watch Dirge try to crush Ellen to death, but Daniel saves his mother by crushing Dirge's torso inward and tossing him onto Rumble.
Then the Junkions show up, the leader of which is literally described by the script as wearing a Nazi helmet. The artists chose instead to draw him wearing a WWI German helmet because there's just
so much Nazi stuff in this script!!!
Elsewhere on Unicron's moon, Galvatron just straight up murders Magnus, Mentlar, and Blurr. Like, he just kills them. Dead. No repairs, no rebuilding them. Just dead. And Hasbro was furious.
Galvatron steals the glowing baby Optimus from Magnus and puts it in a jar around his neck.
What comes next are a couple of big reveals: The Junkions built Unicron! It was originally built to be a protector, but something went wrong. The Junkions then reveal a flaw in Unicron that serves as its weakness. And that weakness is... MISSING from the script! Yep, unfortunately, the script that Flint Dille found in storage was missing three whole pages that detail this very important part of the story. One of these pages also presumably sees Hot Rod, Tanker, and the Dinobots reuniting with the others on the moon, with Tanker freeing the Autobots from the Junkions with the Universal Greeting.
As Planet Unicron absorbs the siphoned energy from Earth, the Entity is powered up enough to transform the planet into a humanoid robot form. It heads towards Earth, munching other planets along the way. And at this point, Wheeljack
FINALLY apologizes to Arcee for being such a sexist misogynist.
A Junkion named Scrapo befriends the Dinobots, whose role was presumably later taken by Wheelie in the final movie.
In a surprise twist that shocks absolutely
no one, the Entity and Unicron are revealed to be one and the same. In order to defeat him, the Autobots must fight their way into Unicron's core. Once there, Daniel is the only one small enough to fit into the area they need to get into to destroy Unicron. But then, they suddenly remember that they also need the Baby Optimus that Galvatron still has. So they go
all the way back out to go get it. Hot Rod and Rusty corner Galvatron, who tries to fuse the Baby Optimus with himself into nothingness. But he is defeated by Dr. Ellen.
The Autobots and humans go
all the way back into Unicron's core, where Daniel takes the Baby Optimus and puts it into the core, blowing by Unicron. Galvatron gets blasted off on one of Unicron's severed fingers.
In the aftermath, Earth just gets all better after being shriveled up from its massive energy drain. A parade is held and Hot Rod holds Daniel up on his shoulders. The End.
---
The day after this presentation was given, Chris and Jim held a follow-up panel with more information and artwork.
It is speculated that Rails was replaced with the Anibots (Autobot versions of the Predacons before those toys were decided to be Decepticons) in later script drafts, and then ultimately replaced by just the Dinobots defending Autobot City in the final movie. (The concept of Rails as a large, multi-changing transport Autobot with a bestial robot mode may have possibly even evolved into Sky Lynx.)
"Life Spark" came from a memo note from Sunbow to refer to the leadership aspect of "the Matrix", which had yet to be a thing at the time. "'Til all Matrixes are One" evolved into "'Til all Life Sparks are one", which after a game of telephone became just "'Til all are One".
As everyone could probably tell by now, the concept of Tanker would eventually evolve into Kup. Jim reasoned that Tanker changed into Kup because Hasbro, at the time, was looking at the next generation of Autobots and Decepticons being cars and jets, not tanks.
At some point in the script, Grimlock sees Arcee and thinks she's so cool that he want there to be female Dinobots.
A few more pieces of the fanmade artwork:
Granix
Quintesson (the name "Quintesson" originally came from a restaurant)
This Quintesson is based on Floro Dery's early Quintesson design.
Sweep Gestapo-bot
Junkion (who's meant to look like something out of the Road Warrior)
Q&A
The suspected intended runtime for this script is two hours.
Unicron's backstory as having originally been created as a protector is removed from later script iterations, and is ultimate made as vague and undisclosed as it is in the final movie.
Galvatron's original altmode in this script is basically a cannon covered in guns all over.
Hot Rod has no Autobot symbol in these art pieces because the design notes in the script simply don't mention it. The second design iteration does put it on, though.
Now that we know where the Sweeps came from, what about Cyclonus's armada from the later script drafts? They would have been just a bunch of Cyclonus duplicates.
Colonel Rusty Steele was never Daniel's father. Daniel just had hero worship for him.
And most importantly of all, the script itself WILL eventually be uploaded online for all eyes to see. We don't know when, but it is definitely planned to be released at some point later on.
FIN
Date: Wednesday, May 26th 2021 7:08am CDT
Categories: Cartoon News,
Movie Related News,
Press Releases
Posted by: william-james88 Discuss This Topic · Permanent Link
Views: 152,637
THE TRANSFORMERS -THE MOVIE
35th ANNIVERSARY EDITION
Featuring All-Star Voice Cast of Peter Cullen, Eric Idle, Judd Nelson, Leonard Nimoy, Robert Stack, Frank Welker and Orson Welles as UNICRON
RENOWNED ANIMATED ADVENTURE RE-RESTORED
FROM A BRAND-NEW 4K TRANSFER OF ORIGINAL FILM ELEMENTS DEBUTS FOR THE FIRST TIME ON 4K UHD!
COLLECTIBLE 35th ANNIVERSARY
LIMITED EDITION STEELBOOK
ARRIVES AUGUST 3, 2021 FROM SHOUT! FACTORY
Experience the enormously popular animated feature THE TRANSFORMERS – THE MOVIE like never before! In celebration of the film’s 35th anniversary, THE TRANSFORMERS – THE MOVIE has been meticulously re-restored from a cleaner-than-ever, brand-new 4K transfer of the original 35mm film elements. Fans now can immerse themselves in this thrilling animated adventure with stunning picture quality for the optimal home entertainment experience, in 4K UHD for the first time.
THE TRANSFORMERS – THE MOVIE has captured a special place in the hearts of millions and has been a staple in the pop culture zeitgeist since it premiered in theaters 35 years ago on August 8, 1986. Featuring memorable characters – the heroic AUTOBOTS, villainous DECEPTICONS and UNICRON, thrilling action and a heartfelt storyline, THE TRANSFORMERS – THE MOVIE is a cultural touchstone that spans generations. Beloved by legions of fans, this full-length animated adventure boasts the voice talent of Orson Welles in his final voice acting role and an all-star voice cast that includes Peter Cullen, Eric Idle, Casey Kasem, Judd Nelson, Leonard Nimoy, Robert Stack and Frank Welker.
On August 3, 2021, Shout! Factory, in collaboration with eOne, a Hasbro company, celebrates the 35th anniversary of this iconic movie with a brand-new North American home entertainment release. Available for the first time on 4K UHD, THE TRANSFORMERS – THE MOVIE 35th Anniversary Limited Edition SteelBook (4K UHD + Blu-ray set) comes with highly collectible SteelBook packaging that features striking new key art by celebrated comic artist Matt Ferguson, an all-new 4K transfer of the movie in widescreen with HDR, Dolby Vision and Dolby Atmos, the film in HD full frame on Blu-ray, immersive bonus content including never-before-seen feature-length storyboards, plus 4 exclusive art cards. Fans who pre-order from shoutfactory.com will also receive a limited-edition 18”x24” lithograph with new art by Matt Ferguson, while supplies last.
ShoutFactory.com exclusive SteelBook gift-with-purchase lithograph with new art by Matt Ferguson
On September 28, 2021, Shout! Factory will also issue two additional 35th anniversary editions of THE TRANSFORMERS – THE MOVIE —a standard 4K UHD + Blu-ray combo pack, and a Blu-ray + DVD combo pack. THE TRANSFORMERS – THE MOVIE 35th Anniversary Edition 4K UHD + Blu-ray combo pack includes the all-new 4K transfer of the movie in widescreen alongside the HD full frame version and new bonus material. THE TRANSFORMERS – THE MOVIE 35th Anniversary Edition Blu-ray + DVD combo pack features the movie in HD full frame on Blu-ray as well as a widescreen edition on DVD, alongside new bonus material. These configurations will be available for pre-order later this summer from Shout! Factory.
Under license from Shout! Factory, THE TRANSFORMERS – THE MOVIE SteelBook and standard 4K UHD will also be released in the UK this September.
Whether reliving the excitement from childhood or discovering this animated feature for the first time, THE TRANSFORMERS – THE MOVIE 35th Anniversary Edition is a must-own for fans and collectors and makes the ultimate fan gift!
THE TRANSFORMERS – THE MOVIE 35th Anniversary Edition
Featuring the newly restored movie from a new 4K transfer of original film elements
Special Bonus Content:
· *New Feature-Length Storyboards, including deleted, alternate and extended sequences
· *New Fathom Events 30th Anniversary Featurette, including Stan Bush’s acoustic performances of “The Touch” and “Dare”
· ‘Til All Are One – A comprehensive documentary looking back at THE TRANSFORMERS: THE MOVIE with members of the cast and crew, including story consultant Flint Dille, cast members Gregg Berger, Neil Ross, Dan Gilvezan, singer/songwriter Stan Bush, composer Vince Dicola and others!
· Audio Commentary with Director Nelson Shin, story consultant Flint Dille and star Susan Blu
· Featurettes
· Animated Storyboards
· Trailers and TV Spots
*exclusive to the Limited Edition SteelBook and 4K UHD releases
Movie Synopsis:
The AUTOBOTS, led by the heroic OPTIMUS PRIME, prepare to make a daring attempt to retake their planet from the evil forces of MEGATRON and the DECEPTICONS. Unknown to both sides, a menacing force is heading their way – UNICRON. The only hope of stopping UNICRON lies within the Matrix of Leadership and the AUTOBOT who can rise up and use its power to light their darkest hour. Will the AUTOBOTS be able to save their native planet from destruction or will the DECEPTICONS reign supreme?
THE TRANSFORMERS – THE MOVIE is co-produced and directed by Nelson Shin; produced by Joe Bacal and Tom Griffin; supervising producer, Jay Bacal; executive producers, Margaret Loesch and Lee Gunther; music score by Vince Dicola and Ed Fruge.
About eOne
Entertainment One Ltd. (eOne) is a talent-driven independent studio that specializes in the development, acquisition, production, financing, distribution and sales of entertainment content. As part of global play and entertainment company Hasbro (NASDAQ: HAS), eOne's expertise spans across film, television and music production and sales; family programming, merchandising and licensing; digital content; and live entertainment. Through its extensive reach and scale, and a deep commitment to high-quality entertainment, eOne unlocks the power and value of creativity.
eOne brings to market both original and existing content, sourcing IP from Hasbro’s portfolio of 1500+ brands, and through a diversified network of creative partners and eOne companies.
About Shout! Factory
Shout! Factory, LLC is a leading multi-platform media company devoted to film and TV distribution, development, and production, as well as the preservation and revitalization of the very best in pop-culture entertainment. Founded by Richard Foos, Bob Emmer, and Garson Foos in 2003, Shout! owns and manages a large portfolio of films, contemporary and classic TV series, animation, and documentaries. The company’s creative acquisition mandate has established it as a leading independent distributor, with partners and properties including GKIDS, Sesame Street, The Carol Burnett Show, The Johnny Carson Show, IFC Films, Stephen J. Cannell Productions, ITV Studios, Major League Baseball Productions, and many others. Shout! Factory Kids focuses on live-action and animated kids and family properties, and the company releases films and television shows in other genres under the Scream Factory and Shout Select imprints. Shout! develops, acquires and distributes new films via Shout! Studios, owns and operates libraries including Mystery Science Theater 3000 (in partnership with creator Joel Hodgson) and the Roger Corman New Horizon Pictures Library, and operates the acclaimed streaming service Shout! Factory TV. Shout! Factory is based in Los Angeles, California. For more on Shout! Factory, visit
shoutfactory.com.
Date: Tuesday, July 28th 2020 4:19pm CDT
Categories: Cartoon News,
Reviews
Posted by: ScottyP |
Credit(s): Netflix
Discuss This Topic · Permanent Link
Views: 98,963
Netflix and Siege
A Review of
Transformers: War for Cybertron, "Chapter One: Siege"
Spoiler Free-ish
Images in this review courtesy of Netflix
In a mere two days' time Transformers fans will finally get to watch the highly anticipated, much speculated about first chapter of the
Transformers: War for Cybertron Trilogy, known as "Chapter One: Siege". You'll need a Netflix account to stream the show's 6 episodes, and in case you need a brief overview, here's the official synopsis provided by Netflix:
It is the final hours of the devastating civil war between the Autobots and Decepticons. The war that has torn apart their home planet of Cybertron is at a tipping point. Two leaders, Optimus Prime and Megatron, both want to save their world and unify their people, but only on their own terms. In an attempt to end the conflict, Megatron is forced to consider using the Allspark, the source of all life and power on Cybertron, to “reformat” the Autobots, thus “unifying” Cybertron. Outnumbered, outgunned, and under SIEGE, the battle-weary Autobots orchestrate a desperate series of counterstrikes on a mission that, if everything somehow goes right, will end with an unthinkable choice: kill their planet in order to save it.
After the debacle that was the
Prime Wars trilogy of streaming shows, fans looking for something different in (perceived) tone from the outstanding
Transformers: Cyberverse have eagerly awaited the arrival of this latest installment. Many of us are happy to see toys that we've had for a year and a half reach the silver screen. All of us are wondering if it will be good - read on to find out.
The main plot of the series is summed up well in the synopsis above, and most fans will likely find the "30,000 foot view" of the plot to be about what's expected. While stories about the end of the war on Cybertron are as old as the franchise itself, the past decade or so has created so many disconnected permutations of this story that it's starting to become Transformers' version of Bruce Wayne's parents being killed. It makes sense for this first chapter to play things relatively safe in this context, given the amount of casual fans likely to be exposed to this series that haven't experienced the wide combination of movies, video games, books and other Transformers TV shows covering the same general story as much as those hanging out here on Seibertron.com on a daily basis have in recent history. For the most part, the good guys are the Autobots, the bad guys are the Decepticons, they're in a war which is bad and has been long, and events occur with big, sweeping consequences for the Transformers. The show keeps it simple on a high level, and to be honest, it works.
Those backgrounds are nice.
One of the reasons the somewhat standard main plot works is because the side plots with tighter character focus are then able to grasp the spotlight and provide the series' most compelling moments. The first hour of the show does feature a great deal of talking and walking but it's worth sitting through because the characters you should really be paying attention to, such as Jetfire and Bumblebee, gain foundational characterization that pays off as the episodes progress. The cast is a little big and there's maybe one "B" plot too many running in the middle of this first chapter given its length, but this isn't a problem that sticks around for long.
Slow and low
The aforementioned cast of characters is kept somewhat small and if you're expecting anyone that doesn't have a
Siege toy, temper that expectation now. Heck, if you're expecting any Battle Masters or Micromasters from the toy line, I'm going to go ahead and bring you that disappointment now too, because they're not present. Optimus Prime and Megatron receive the most spotlight as expected, with Jake Foushee reprising his role as Optimus Prime after performing him in
Cyberverse. It's one of the weaker Optimus Prime performances that I can recall, but Foushee does kick some more emotion in nicely during some of the more action-packed sequences. Marnocha's Megatron sounds tired, which feels character appropriate, but is overall so low and slow that if you were only listening to audio you might mistake the character for Unicron or some other giant Transformer. It's worth noting this
could be entirely on the provided direction and not the actor himself, to be fair.
Thankfully, there are standout voice performances surrounding the sub-par ones. Keith Silverstein brings in a fantastic performance as Jetfire, layering in his experiences playing Char Aznable in another globally huge robot franchise to create a take on the character that feels fresh while carrying appropriate emotion. Georgia Reed delivers punchy lines as Chromia in another more subtly notable performance, to me at least, while Frank Todaro's Starscream has evolved into one of the best interpretations of Chris Latta's original take on the character's voice that's ever been recorded.
Now if voice director Philip Bache could just get everyone to actually enunciate the first "r" in "Cybertron" we'll be getting somewhere very good.
Just enough transforming and rolling out. Usually.
Transformers shows are notoriously limited by budget constraints, as making complex CGI models of robots transform into CGI models of vehicles is, presumably, complicated and expensive. There's just enough transforming most of the time that it feels appropriately present throughout, and sometimes this is accomplished through clever-ish use of smoke and other camera panning effects leaving your imagination to fill in the rest. It works fine and is preferable to skipping out on opportunities to have the Transformers, you know, transform. There was only one moment early on where I wanted to pull my hair out because the Autobots were running away on foot from Decepticons, some with flying alt modes, who were also chasing them on foot. The rest of the animation is fine with the movements of characters looking infinitely better than what was seen in
Prime Wars, though not quite as nice as other recent forebears such as
Transformers: Prime or even
Cyberverse with the characters in "Siege" moving their hands a little too much, too often while they speak. The backgrounds are also positively gorgeous at times, with large, sweeping vistas and massive buildings giving Cybertron a sense of grandeur and scale. Occasionally the characters stand out oddly against them, but this was something I only noticed once or twice during interior shots.
I'm going long on this part of the review, but need to mention that the action and battle sequences are crisp, busy, and ultimately quite satisfying.
Always a look of dull surprise...
If there's one thing I found to be a let down, it's the sound. The balance of voices to background music and sound effects was occasionally off, and I had to turn up my 5.1 system temporarily at times to make out what some characters were saying. The classic transformation sound effect from G1 is used effectively in some places, but they forgot to sample more than one version of it making me wonder why they even bothered at all. It's something that should be done with differences in tempo, levels and duration based on the character and what they transform into but here, a lazy, one-size-fits-all approach was used. Edward Bosco's voice performance as Soundwave is ruined by a poor attempt at his voice effect but at least he also plays Ultra Magnus well, proving he's not a slouch. The musical score by Alexander Bornstein is entirely forgettable and sounds like the
Tron: Legacy score by Daft Punk was cut into small samples to avoid a lawsuit then rearranged into a generic bore-fest that adds no emotion to anything at any point. My apologies to Mr. Bornstein if generic, derivative music that sounds like everything else while also sounding like nothing whatsoever was precisely the musical direction desired by Hasbro and Netflix.
Producers of Transformers shows, if you take nothing else from this review, please take this: just hire Vince DiCola next time. Barring that, hire a good Synthwave artist that can provide some exciting electronic scoring to go with the action.
Verdict
Pictured here: the fandom after watching the "Prime Wars" trilogy
:exhales:
It doesn't suck.
All I wanted was for this show to
not suck, and it achieves that. The wider story is a bit blasé to this long time Transformers fan who rabidly consumes its media, but the side plots and character work help elevate it. Some of the character models are re-used as generics
far too often, but the overall nice visuals make me care less about that. The voice performances are hit or miss and the score is terrible but excellent all-around work on characters like Jetfire, Ratchet, Mirage and even Impactor lead me to forgive. The really important thing here is that it was a fun watch that doesn't ask for a ton of your time. You'll have about 2.5 hours sometime in the next week where the Transformers will entertain you, and for many fans, that's a big increase.
I considered going a notch higher on the score below, but "Tarnhauser Gate" was too cringe-worthy to let go without
some punishment.
Seibertron.com was provided with complimentary advance screening access to Transformers Chapter One: Siege by Netflix for the purpose of this review. "Thank you" to Netflix and Hasbro for this access!